Ever wondered why crinolines ballooned so wide? Why did Romans drape togas, courtiers powdered wigs, or Victorians cinched corsets so tight? What did Jewish people use to wear in different times? This course is a fast-paced journey from classical antiquity to the late 19th century, exploring how fashion, art, and society continually shaped one another. We’ll decode silhouettes and textiles through paintings, prints, and surviving garments—from tunics and togas to ruffs, panniers, tailcoats, and bustles—asking what they reveal about identity, technology, trade, politics, and power.
Through lively discussion and close looking, you’ll learn to “read” dress as historical evidence and see how past trends still echo in today’s culture and wardrobes. Along the way, we’ll trace a distinct Jewish thread—examining dress, law, and custom from antiquity to Victorian Europe—to see how diaspora, faith, and migration shaped what Jews wore and how they were portrayed.
The course is given in collaboration with Paideia – the European Institute for Jewish Studies in Sweden.
Course structure
The course will be taught through visual lectures, group discussions, and guided analysis of artworks, historical portraits, and fashion imagery. We’ll explore silhouettes, fabric representation, and stylistic codes in visual culture from Antiquity to the 19th century.
Each session encourages participants to observe, decode, and discuss how clothing reflects status, gender, identity, and politics throughout history.
As part of the course participants are given the assignment to create a 5-minute presentation.
Prior knowledge
The course is given in English.
No prior knowledge about the subject is needed. This course is open to anyone interested in fashion, art, or cultural history.
To apply, you need basic computer skills and knowledge of how to use the digital platform Zoom. The school offers Zoom manuals and a training opportunity before the start of the course.
Course material
Course material is included in the cost for this course.
About the teacher
Roei Derhi is a designer and lecturer specializing in the intersection of fashion, art, and cultural history. He has worked with institutions across Europe and the Middle East, and his teaching focuses on how visual culture creates meaning, identity, and power structures. His recent research focuses on antisemitism and the politics of representation in visual media.
Photo: Marie Antoinette, Queen of France, Jean-Baptiste Gautier Dagoty, 1775.
